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Cine- Kodak and 
Kodascope 


THE KODAK WAY 
TO MOTION PICTURES 


June 15,1920 
EASTMAN KODAK COMPANY 


ROCHESTER, N.Y. 


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THE GETTY CENTE 
I1IRDARY 


When it’s playtime have Ciné-Kodak there 


MOTION PICTURES 
SEER ICO IAI W AY. 


No you can make movies. Kodak gave you amateur 
photography years ago, and now Ciné-Kodak opens 
wide the door for cinematography. Anyone can make still 
pictures with a Kodak—anyone can make motion pictures 
with a Ciné-Kodak and, through the Kodascope, can show 
them at home on the screen. 

Heretofore your still pictures have retained many pre- 
cious memories of the past; the day when Billy Boy came 
toddling and tumbling over the lawn while you held your 
breath in smothered suspense—how real that picture, but 
what wouldn’t you give tosee him again inaction, in movies 
as real as life. Remember the pickerel—so big—that Jim 
struggled with and landed? You'd prove it, too, if there 
were only ascreen feature of his thrilling battle! You smile 
while turning the pages of your album; there’s Betty in her 
wedding dress. How beautifully motion pictures could re- 
peat that never-to-be-forgotten scene when she marched 
down the garden path to an altar under the rose pergola. 
And Jack—you thrill while recalling his winning touch- 
down when nearly everyone perished with excitement. 

There’s no end of family feature films you would like to 
have—now so easily achieved, for Ciné-Kodak handily per- 
petuates those many memories and Kodascope conveni- 
ently repeats them. 

This desire for making personal motion pictures 1s not a 
new one. So irresistible is this appeal that aimost everyone 
has long wished for movies of the people and events that 
particularly interest him, movies that he could make him- 
self and then show in his own home. But until recently there 


3 


THE CINE-KODAK AND THE KODASCOPE 


were outstanding obstacles to make general enjoyment im- 
possible. The Ciné-Kodak answers these objections with 
its three major features: it’s an easy outfit to work success- 
fully; it affords the means for obtaining motion pictures, 
promptly ready for projection, at a price emphatically less 
than has been possible heretofore; and small in size, light in 
weight Ciné-Kodak is compact enough to be carried any- 
where with convenience. Then when the pictures are proc- 
essed and ready for projection, the Kodascope carries on 
with complete efficiency, a rival to the Ciné-Kodak in econ- 
omy and ease of operation. 


Al picture library 


Although the movies you make are so completely fasci- 
nating in themselves, nevertheless the Kodascope offers 
still another feature for the home entertainments. 

Hundreds of thousands of feet of professionally made 
pictures have been leased for use in the Kodascope through 
the Kodascope Libraries, Inc. A complete address list of 
the branches will be found on page 24. 

A catalog of these films 1s issued at frequent intervals. 
You may select the most varied entertainment—comedies, 
dramas, animated cartoons, travelogues; everything, in 
fact, most suitable for home projection—and new films are 
being added continually. 

Intriguing, indeed, the thought of having Hollywood at 
home for your Little Theater, and it’s exactly that, for 
scores of stars are eager to entertain you and your guests. 
There’s Doug. Fairbanks, Billie Dove, Jackie Coogan, 
Irene Rich, Charlie Chaplin, Colleen Moore, Bill Hart, 
John Barrymore and dozens and dozensof others. Thereare 
serious pictures and funny pictures, melodramas and light 
dramas, stupendous settings as in Kismet, musical themes 


4 


THE KODAK WAY TO MOTION PICTURES 


as in [/ Trovatore, and serial movies as in The Son of Tarzan; 
pictures for every mood, every fancy, audiences old or 
young. All of which merely emphasizes the varied pleasures 
that await you, so economically and conveniently afforded 
by the Ciné-Kodak and Kodascope as you’ll see. 


Ease of operation and quality of results 


The amateur’s enjoyment of cinematography depends 
primarily on the quality of the pictures he is able to produce. 
The outstanding feature of the Ciné-Kodak is its capacity 
to produce the best possible motion pictures, pictures that 
for photographic quality are equal to those obtainable with 
professional equipment, and to accomplish this with char- 
acteristic Kodak ease and the minimum of expense. The 
owner of a Ciné-Kodak, who follows a few very simple di- 
rections, will get surprisingly good results—so good, in fact, 
that when he sees his pictures on the screen he will not only 
be delighted, but will wonder all the more at the ease with 
which he obtained them. 


Compact and easily operated as it 1s, the Ciné-Kodak 
lacks nothing that practical work requires. It has capacity 
for 100 feet of daylight-loading film—although fifty-foot 
rolls are alsoobtainable—enough to photograph action con- 
tinuously for over four minutes at the regulation rate of 
sixteen pictures per second. This precludes the probability 
of running short of film in the midst of action and also pro- 
vides sufficient length without reloading for a wide variety 
of subjects. Linked with these features 1s that mechanical 
nicety and smoothness of operation by means of which 
Ciné-Kodak assures steady pictures for the screen. When 
selecting an outfit you have the choice of several lens equip- 
ments, all of them specially made for motion picture work. 


4 


THE CINE-KODAK AND THE KODASCOPE | 


Fixed focus 
Spring-motor driven 
Ciné-Kodak, Model B, is a pop- 


ular hand-camera for motion pic- 
tures. In every way it’s designed 
to meet the requirements of the 
amateur who, with or without pre- 
vious photographic experience, an- 
ticipates making good movies from 
the very start. In compactness and 
the manner in which it works Ciné- 
Kodak B is actually a motion pic- 
ture Kodak, in size approximating 
the 3A Kodak closed; weight five 
Ae pounds fully loaded, and requires 
At waist level no tripod. 


A spring-motor operates Ciné-Kodak B, and that elimi- 
nates all hand-cranking. The fixed focus feature emphasizes | 
a fast getaway for quick action movies, for all one needs to 
do is point the camera at scene or subject, press the lever 
and instantly the action is registered on the film. Compli- 
cated and bothering details are at once discarded even to 
exposure changes, for a guide beneath the lens tells which 
diaphragm opening to use for the prevailing light condition 
relating to various subjects, and when the correct “stop” is 
selected a turn of the pointer makes the adjustment. 


When using the Ciné-Kodak, Model B, the amateur has 
two finders at his disposal. First, there’s the Reflecting 
Finder on top of the camera, inset at the forward right hand 
corner. This finder permits you to hold the Ciné-Kodak 
at waist level, that natural steady position with which 


6 


THE KODAK WAY TO MOTION PICTURES 


all Kodak users are already thoroughly familiar. Second, 
there’s the Sight Finder, adapting the camera for sighting 
the action at eye level—a position used for making pano- 
ramic views when the cinematographer cautiously follows 
the subject over the field of action. Either finder gives a 
brilliant image of what is being filmed. 

The amount of unexposed film remaining in the camera 
is never a matter of guesswork; a footage meter is located 
on top of the Ciné-Kodak and quickly shows how much 
film is left for further exposure. 

Ciné-Kodak, Model B, is obtainable with either the /.6.5 
or the f.3.5 Kodak Anastigmat lens equipment. Irrespec- 
tive of the lens you choose, Model B is always a fixed 
focus camera. In size, weight, mechanical features, and 
simplicity of operation, Ciné-Kodak B, /.6.5, and Ciné- 
Kodak B, 7.3.5, are exactly the same. In fact the only 
difference is in the matter of lens 
speed, plus, on the Kodak Anas- 
tigmat /.3.5 equipped outfit, an 
ingenious device that assures sharp 
close-ups with the larger diaphragm 
openings. When a close-up 1s de- 
sired a turn of a disk at the top ot 
the camera swings an extra lens 
(portrait attachment) in front of 
the 7.3.5 lens. Instantly you are 
ready for the picture made with the 
camera at 4 to 8 feet from the sub- 
ject; properly focused, charming 
portraits photographed without 
bothering to consider the distance 
element. (For details and prices oa 
see pages 21 and 22.) At eye level 


THE CINE-KODAK AND THE KODASCOPE 


You can get in the picture yourself 


In addition to all its other advantages, Ciné-Kodak, 
Model B, permits the operator to get in the picture himself. 


All that 1s necessary 1s a tripod or other rigid support. 
With the outfit so mounted, press the lever, a catch holds 
it and you are free to appear in the picture or to direct it. 
This offers you the advantage of being either photographer 


or subject or both whenever you choose. 


Ciné-Kodak, Model B, 1s Eastman-made, in every sense 
designed for simplicity and economy in operation, a hand- 
camera for movies, made for the many to enjoy and so per- 
fectly made that it satisfies the expert, too. 


Economy of the Ciné- Kodak 
Cinematography, with the Ciné-Kodak and Kodascope, 


is not only easy and fascinating, it 1s comparatively inex- 
pensive. Specifically, the extent of this saving is well over 
four-fifths. In other words, it has cost the amateur using a 
camera with standard 35 mm. (13g inch) width film approxi- 
mately six times as much to make the negative and project 
the picture on the screen as it now costs him with the Ciné- 
Kodak. And yet these pictures, secured at this significant 
saving, are fully equal for home projection to those ob- 
tained with standard width film. This great saving in cost, 
without sacrifice of either quality or length of picture, has 
been made possible to a large extent through the introduc- 
tion of Ciné-Kodak Film, and the various economies in- 
volved are as follows: 

Ciné-Kodak Film is only 5% an an inch in width as Seu 

13g inches for professional film. That’s economy No. 

Being less in width, each individual picture is oropedent 


8 


THE KODAK WAY TO MOTION PICTURES 


ately less in height, so that 400 
feet of Ciné-Kodak Film give the 
Same period of projection on the 
screen as 1,000 feet of standard, 
commercial film. That’s economy 
No. 2. With standard-sized motion 
pictures, the negative must be de- 
veloped, and a print made from it 
on positive film and then the posi- 
tive developed. Through the newly 
devised photographic emulsion on 
Ciné-Kodak Film and through a 
special chemical process, the film 
is first developed and then, with- 
out printing, reversed from a nega- 
tive to a positive, virtually one 
operation as against three. That’s 
economy No. 3. 

Heretofore such amateurs as 
have ventured into motion picture 
work with professional outfits were 
compelled to send their film to 
laboratories whose facilities were 
organized for orders of 100 or 200 
prints from each negative and who 
were able to do quantity finishing 
of this nature at small cost. The 
amateur, however, usually wanted 
one print and as the conditions 
governing a single order were quite 
different as far as the laboratory 
was concerned, he had to pay a 
relatively high price in conse- 


2 


THE CINE-KODAK AND THE KODASCOPE 


quence. Ciné-Kodak Film is finished in laboratories 
equipped and organized for this work alone. Orders for one 
positive or two are the rule—not the exception. The plants 
are organized and equipped to meet this condition with a 
material reduction in cost. And that’s economy No. 4. 

History has repeated itself. It was Eastman Film that, 
many years ago, first made motion pictures practical. It is 
a discovery of the Kodak Research Laboratories and the 
result of their tests and investigations that produced Ciné- 
Kodak Film and first made motion pictures practical for 
the amateur. And this achievement was not solely one of 
economy; the emulsion on Ciné-Kodak Film has such qual- 
ity that the graininess ordinarily seen when small pictures 
are projected to large size 1s reduced to a negligible degree. 

Finishing the pictures 

When you have taken a roll of pictures with the Ciné- 
Kodak, give it to your dealer who will send it to the nearest 
finishing station, or, if you prefer, you may send it direct to 
Eastman Kodak Company, Rochester, New York, or to 
one of the other finishing stations as listed on the inside 
back cover. In the hands of Eastman experts, the film is 
developed, reversed to a positive and then returned parcel 
post prepaid and insured; ready to be shown at once on the 
screen through your Kodascope. 

In the early days of amateur picture-making we said, 
“You press the button; we do the rest.” And now motion 
picture-making has been made Just as easy for you. “You 
press the button; we do the rest,”’ 1s still the slogan. It is 
literally true. This expert service—the assurance that your 
film receives careful treatment from skilled workmen—is 
included in the purchase price of the film. You have paid 
for the positive when you buy your roll of film. 


IO 


HE RODAK WAY TO MOTION PICTURES 


Comparative Size of Ciné-Kodak B and 3A Kodak 


While it 1s a fundamental in photography that “an orig!- 
nal is always better than a duplicate,”’ Ciné-Kodak dupli- 
cates closely approach originals in quality. In fact this 
work is so skillfully done that the average person will find 
it impossible to distinguish between the original and the 
duplicate even when they are viewed simultaneously, side 
by side. You may have as many duplicates made of your 
film as you wish. 

Titles for your pictures and explanatory captions which 
will naturally suggest themselves as you see the pictures 
projected on the screen may be sent on to Eastman Kodak 
Company to be photographed and printed. The finished 
titles will be mailed to you so that you can splice them into 
the film. The finishing station at Rochester, New York, 1s 
the only one which at present makes titles or duplicates. 

All finishing stations, however, now offer a splicing serv- 
ice whereby the t0o-foot lengths may be connected into 
continuous 400-foot reels. The 400-foot reel permits an un- 
interrupted sixteen-minute performance. The fee for this 
service pays for the reel and humidor container as well as 


for the splicing. 


bed 


CINE-KODAK, MODEL B, KODAK 
ANASTIGMAT LENS 7.3.5 


KODASCOPE REWIND—A co 
venient accessory. Quickly attache 
to any table, it permits you torewir 
reels during the performance. 


Ciné- Kodak, Model B 
makes motion pictures 


COMPACT—Measures 83% x 53% x 376. Weight, 5 pounds loaded. 

EASY TO USH— Loads quickly i in daylight—Fixed Focus and spring- 
motor operated, requiring no tripod—Sights at waist level or eye level 
—Runs smoothly and steadily—Photographs action continuously for 
four minutes without reloading. 

RELIABLE—Produces movies of the finest quality, with the certainty 
and ease characteristic of Kodaks. 

ECONOMICAL—Reduces cost of making motion pictures four-fifths 

as compared with outfits using standard width film. 


wee) N PIC TIT U-R ES 


Folds small and together with 
one 400-foot reel fits case snugly. 


en 


KODASCOPE, MODEL C—Motor operated 


Kodascope, Model C 
projects motion pictures 


SAFE—Uses only Safety film—Fulfills every safety requirement. 

EASY TO USE—Attaches to any house circuit not over 125 volts or 
under 105—Threads simply—Operates quietly by motor—Focuses 
and frames conveniently—Rewinds quickly by hand. 

RELIABLE—Provides constantly the fullenjoyment of movies, through 
clear, steady projection, free from annoyance or danger. 

ECONOMICAL—At 18 feet, throws brilliant 30 x 40-inch pictures on 
the screen, yet requires so little current that the cost for electricity 
will not exceed three cents per hour. 


THE CINE-KODAK AND THE KODASCOPE 


Equipment for the 


advanced amateur 


As complete as this movie 
equipment is for amateur 
use there are still those who 
will not be entirely satisfied. 
These will want a hand- 
cranked outfit with special 
lenses suitable for a more 
specialized type of cinema- 
tography. Thus, the serious 
worker, the advanced ama- 
teur, the surgeon, the scien- 
tist, the naturalist and others 
will appreciate Ciné-Kodak, 
Model A, which 1s equipped 
with either Kodak Anastig- 
mat /.3.5 or with the Kodak 
Anastigmat/.1.g lens and the latter is interchangeable with 
a long-focus /.4.5 for telephoto effects. 

The f.1.9 lens is one of the fastest lens equipments made 
for amateur cinematography; about ten times as fast as the 
f.6.5 lens, and over three times as fast as the f.3.5 lens. Such 
speed permits the making of motion pictures on dark days; 
and under favorable conditions in the operating room, the 
laboratory or in any interior with ample artificial light or 
daylight. 

To obtain slow motion pictures hand-cranked equipment 
is essential, for those lazy, lingering effects are produced by 
increasing the normal rate of operation. But with increased 
cranking speed the exposure rate 1s cut down, and to com- 
pensate more light is needed. This is easily accomplished 


Ciné- Kodak, Model A, f.3.5 


14 


THE RODAK WAY TO MOTION PICTURES 


with the’ larger dia- 
phragm openings of the 


fi.g lens. 


Noresare these . the 
only features that rec- 
ommend Ciné-Kodak, 
Model A, to the ad- 
Meaoodmoperator. 
There’s another lens 
that fits this equip- 
ment, separate and 1n- 
terchangeable with the 
f.i.g. This is the long- 
focus f.4.5 lens for tele- 
photo effects. Slip off 
the f.1.9 and slip on the 
f.4.5. Instantly your 
Ciné-Kodak has a 
greater range, for the 
image size 1s increased 
three diameters with 


With the long-focus, f.4.5 lens attached; 
for large images of distant objects. 


the camera operating at the same distance from the subject. 


If you are a naturalist, immediately you can appreciate 
the advantages of equipment for obtaining large sized im- 
ages of wild animals in their native haunts. 


The f.4.5 lens 1s equally indispensable to anyone who 
desires big pictures of objects a considerable distance away, 
as for instance, football action or baseball games from the 
side-lines. (For details of Ciné-Kodak, Model A, see page 
Diweei or prices, sec: page 22.) 


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THE KODASCOPE 


Ce only to the camera in importance is the projector, 
by means of which pictures are shown on the screen. 
The satisfaction in good pictures may be lost, or their 
beauty enhanced, by the manner in which they are pro- 
jected. You want a quiet, smoothly-running, easily oper- 
ated machine that gives clear pictures without flicker. 

All this you have in Kodascope, Model C, which projects 
a brilliantly illuminated 30x40-inch picture when placed 
only 18 feet from the screen. Kodascope C will accommo- 
date 400 feet of 16 mm., 5% inch, film, which is equivalent 
in time of projection (approximately 16 minutes) to 1,000 
feet of the standard width film. Although capable of doing 
all this, nevertheless Kodascope C 1s amazingly small in 
size, light in weight (only nine pounds) and exceedingly 
compact. When not in use, its lens can be clipped to a pro- 
tected corner of the base and the reel arms fold to the frame. 
Then the greatest dimension 1s 8 inches. So compact is this 
little projector that you can carry it with ease anywhere. 

Threading and operation could scarcely be simpler; there 
is but one sprocket, and the focus is adjusted by a turn of 
the lens barrel. Kodascope C is electrically operated, of 
course. You can plug in on any house circuit, 105 to 125 
volts, alternating or direct current. Model C may also be 
equipped with a special rheostat which adapts it to 210- 
250-volt circuits, or a special Model C 1s supplied for use 
with the 32-volt current as furnished by home generators. 
Although essentially a movie outfit it projects “‘still’’ pic- 
tures, too; the mechanism can be stopped at willandasingle 
frame of the film viewed without motion. 

When viewing movies even the operator joins 1n the fun, 
for there is naught to do but thread, focus, and “frame”’ 
with the framing lever, then sit down to enjoy the picture. 
(For details and price see page 22.) 


a7 


THE CINE-KODAK AND THE KODASCOPE 


Kodascope, Model A 


As efficient as Kodascope C is, there are occasions when 
a bigger picture is desirable. For the school, the club, or 
the church gathering, or for thelarger audiencein themore 
spacious drawing-room, Kodascope, Model A, with the 200- 
watt lamp, easily and efficiently qualifies, projecting a 39 x 
52-inch picture with the equipment 23 feet from the screen. 

Like the smaller model you can plug in on any ordinary 
house circuit, or a special rheostat is obtainable which 
adapts this atte es Ga 210-250-volt circuits. We can 
also supply a 32-volt Kodascope A for use with the Delco 
or other home generator systems. 

Kodascope A weighs 25 pounds, but it’s so constructed 
that with or without a carrying case transportation pre- 
sents no difficulty. The Model A is equipment essentially 
built for the amateur 
and yet it has many of 
the “trimmings” of the 
professional outfit. For 
example, an adjustable 
resistance and an am- 
meter are provided so 
that the 200-watt lamp 
may always receive the 
proper amount of cur- 

rent. 
| Like the Model C, 
operation 1s simplicity 
itself; after a few ad- 
justments the operator 
is free to join the audi- 
Kodascope, Model A. ence and to enjoy the 


18 


THE KODAK WAY TO MOTION PICTURES 
movie. (For details and price of Kodascope A, see page 22.) 


Safety im propection 

In all this safety in projection must be a fundamental 
principle. Either Kodascope A or C absolutely qualifies to 
meet precautions against fire hazards. Thefilm used is Safety 
Film and is identifiable by the words “Kodak” “Safety” 
“Film” in black letters on the margin. This film may be run 
in projectors with complete security under the conditions 
that obtain in any home. No booth 1s required, of course. 


The Kodascope screen 


There are four screens for Kodascope users, each one 
compact, portable and quickly set up. All screens are spe- 
cially coated for obtaining maximum picture brightness 
during projection. 


Screen No. o, for Kodascope C, has a maximum dimen- | 
sion of 34x 273 x % inches, and a silvered surface of 22x 30 
inches; weight 934 pounds. When not in use the No. o 1s 
covered with a canvas case. The leather handle attached 
makes it convenient to carry. 


Screen No. 1A, for Kodascope 
C, has a maximum dimension 
of 4334x3514x 1 4 inches; silvered 
surface 30 X 40 inches— weight 
15% pounds. After the show 
the screen part may be detached 
and reversed in the frame for 
protection. 


Screen No. oO. 


é 
: Screen No. 45 for Kodascope z When not in use it fits snugly 
is built on the curtain principle, iiioiatonrenbae: 


19 


THE CINE-KODAK AND THE KODASCOPE | 


mounted on a spring 
roller it collapses into a 
box receptacle. When 
wanted the screen 1s easily 
pulled up and held in place 
by demountable side 
strips. Encased, Screen 
No. I measures 46x41%4 x5 
inches. Unrolled for pro- 
jection the curtain surface 
is 30 x 40 inches—weight, 


14 pounds. Screen No. 1A. When not in use the silvered 
. part is reversible in the frame. 


Screen No. 2, for Koda- 
scope A, is built exactly 
like the No. 1, only larger. 
Encased the dimensions 
are $7 % 414 % 4 incnes: 
unrolled the curtain sur- 
face is 39 X*> §2oinehes== 
weight, 17% pounds. 

For the best possible 
quality and brilliancy in 
projection, the Eastman- 
made screens are espe- 
cially recommended. 


Screen No.1 or No. 2 
opened ready for the projected picture. 


The price of Screen No. o 
is $10, Screen No. 1A 1s 


$15, No. 1 1s $25, and the 


é , Screen No. 1 or No. 2, encased for 
price of Screen No. 2 is $35. convenient carrying. 


20 


THE KODAK WAY TO MOTION PICTURES 


DETAILS 


The Ciné- Kodak, Model B 
f3-5 or f.0.5 lens equipment 


Size: 842 x 53% X 376 inches. Weight: 5 pounds (loaded). Body: Alumi- 
num, covered with black genuine leather. Daylight loading: Length of 
film, either 50 or 100 feet. Spring-motor driven: One winding sufficient for 
exposing 20 feet of film. Capacity without reloading: Sufficient to photo- 
graph action continuously for 4.2 minutes. Levs: Kodak Anastigmat 
f.3.5 or f.6.5. Fixed Focus. Two Finders: Reflecting Finder used when 
operating camera at waist height, Sight Finder convenient for direct 
view at eye level. Footage Indicator: Automatically registers amount of 
film unexposed. Exposure Guide: On the camera tells which diaphragm 
to use for tabulated light condition. 


The Ciné- Kodak, Model A 
P35, flQ and f.4.5 lens equipment 


Size: 8 x 45% x 856 inches. Weight: 7144 pounds. Body: Aluminum. Day- 
light loading: Length of film, 50 or 100 feet. Capacity without reloading: 
Sufficient to photograph action continuously for 4.2 minutes. Lens: 
Kodak Anastigmat /.3.5, or f.1.9; the latter interchangeable with /.4.5 
for telephoto effects. Mechanism: Hand-cranked, moving parts gear- 
operated and accurately synchronized. Rear Finder: Shows brilliant 
image through tube opening at back of camera. Top Finder: For con- 
venience when operating camera at low level. duxiliary Finder: Used 
with the /.4.5 lens to give corrected image size for telephoto photography. 
Finder Adjusting Lever: Located on side of camera controls finders. 

On the back of the Ciné-Kodak, Model A, are located pointers and 
dials for setting and indicating the focus and the film footage. On the 
top is a strong leather carrying handle. 


Tripod for Ciné- Kodak, Model A 


Combined weight, 714 pounds. Length of tripod, folded, 26 inches; 
fully extended, 57 inches. Top revolves horizontally and tilts vertically. 


ZL 


THE CINE-KODAK AND THE KODASCOPE 


Kodascope, Model C 


Size: 8x $144x7 inches. Weight: g pounds. Capacity: 400 feetof16mm., 
5¢-inch, film (equivalent to 1,000 feet of standard 35 mm. 1 3é-inch width 
motion picture film), lasting approximately 16 minutes on screen. Lens: 
Eastman-made, projecting brilliant 30 x 40-inch picture at 18 feet from 
screen. [//umination and Power for the electric motor which drives mech- 
anism, taken from any house circuit, alternating or direct current, not 
over 125 volts nor less than 104, by attaching to ordinary bulb socket or 
wall outlet. Framing Lever for accurate screen register. Focusing: By turn- 
ing lens barrel in socket. Rewinding Mechanism: Operated simply and 
quickly by hand. Film Splicing Outfit, for cementing sections of film into 
continuous strips, supplied with Kodascope. 


Kodascope, Model A 


Size: 1814 x 1478 x 103¢ inches. Weight: 25 pounds. Capacity: 400 feet 
of 16 mm., 5 inch, width film. Zens: 2-inch focus, projecting a 39 x 52- 
inch picture ab2.3 feet. Focused by conveniently placed knob. [//umina- 
tion and Power: Supplied through adjustable rheostat attached to left 
side of Kodascope, and indicated by ammeter located in base of 
Kodascope; current taken from any house circuit, alternating or direct, 
between 105 and 126 volts. Special rheostat adapts Kodascope to 210-250- 
volt circuits. A 32-volt equipment is also furnished for home generators. 
Framing and Leveling screws for accurate screen register. Rewinding 
Mechanism: Special, geared for quick winding by hand. Film Splicing 
Outfit: Supplied with Kodascope. 


PRICES 
Ciné-Kodaks 
Model B, with Kodak Anastigmat /.6.5 lens 7). 
Model B, with Kodak Anastigmat /.3.5 lens. ...... oa) ae OOS Be 


Model A, with Kodak Anastigmat/.3.5 lens (including tripod) 150.00 
Model A, with Kodak Anastigmat/.1.g lens (including tripod) 225.00 


Tnicrchanceabhe Kodak Anastigmat f.4.5 lens (long-focus) ... 45.00 
Kodascopes 

Model C, with 100-watt lamp.*. “72.5.7 2 60.00 

Model A, with 200-watt lamp: ..72. 7. =n 180.00 


22 


THE KODAK WAY TO MOTION PICTURES 


Screens 
No. 0, 22’ "X30", mounted 1 in frame (with cover). . 
No. TA, 30" "x 40”,detachable screen section, mounted in frame 
No. 1, 30” Boe follable in case. ee ee On es 
Noet,%9 x52 ,rollableincase......... 


SUNDRIES 

For Ciné-Kodak 
Leather Carrying Case for Ciné-Kodak, Model B.. 
Combination Case for Ciné-Kodak B and two rolls of film 
Leather Case for Model A, f.3.5, Magazines and Tripod Head 
Leather Case for Model A, /.1.9, Reese and ge Head 
Tripod for Model A. ; 
Canvas Case for Model A Tripod Legs. 
Safety Chains for Model A Tripod. . a eee 
Seroecmdandietor WModelA...... 0.0.0.4. ..4.5 


For Kodascope 
Kodascope, Model A, Rheostat, 210-250 volt currents... . 
Kodascope, Model C, Rheostat, 210-250 volt currents. 
Imitation Leather Covered Metal Carrying Case for Model C 
Model A Traveling Case Sora Leather eae 
100-watt Lamps for Model C. aves 
200-watt Lamps for ModelA...... (oie rl mee 
400-foot Kodascope Reel and Hamidor GETTA anh ace ean 
Kodascope Rewind. tae Oe 
Kodascope Film Clips—per Hosen 
Kodascope Film Cement—per 4-ounce bottle. eet 
Lubricating Oil for Kodascope......-..--5--+--+++ ++: 


CINE-KODAK FILM 

100-foot Roll . 
50-foot Roll . 
(Price aides developing, reversing, “Saige transportation ) 
Duplicate Prints, too-foot continuous length. . 
Duplicate Prints, 50-foot continuous length. . fe 
Titles: Per word $0.03; minimum charge per fe $0.25; mini- 
Seeeinum charge per order. . ... 

Splicing four 100-foot Rolls Ciné Kodak Film and supplying 
one 400-foot Reel and Can......... 


to 


-OO 


THE CINE-KODAK AND THE KODASCOPE 


The Kodascope Libraries 


Supplementing your own pictures you have available 
hundreds of well known photoplays, comedies and dramas, 
as well as travelogues and educational films which may 
be obtained at a nominal rental from the Kodascope 
Libraries, Inc. 


The List of Libraries follows: 
Kopascope Lipraries, INnc., 35 West 42nd Street, 


New York City. 


KopascopeE Lisrary OF Boston, INc., 80 Boylston Street, 
Boston, Mass. 
KopascoPeE LIBRARY OF PITTSBURGH, 


1112 Keenan Building, Pittsburgh, Pa. 


KopascoPe LIBRARY OF PHILADELPHIA, 
2114 Sansom Street, Philadelphia, Pa. 


KopascoPe LIBRARY OF CHICAGO, INC., 
38 South Dearborn Street, Chicago, Ill. 


KopascopE LiBRArRIEs, INc., 
1206 Woodward Avenue, Detroit, Michigan. 


Kopascope Lipraries, Inc., 241 Battery Street, 
San Francisco, Calif. 


Kopascope LIBRARY OF Los ANGELES, 
3150 Wilshire Boulevard, Los Angeles, Calif. 


KopASCOPE LIBRARIES OF CANADA, LTD., 
156 King Street West, Toronto, Ontario, Canada. 


Kopak LimITED, Kincsway, W. C. 2, Lonpon, ENGLAND. 
Kopak AustTRALAsIA Pry., Lrp., MELBOURNE, AUSTRALIA. 


Kopak ARGENTINA, Ltp., BuENos AIRES, ARGENTINE, 
SOUTH AMERICA. 


24 


r 
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FINISHING STATIONS 


Cuicaco: Eastman Kodak Company, 
Indiana Avenue and 18th Street. 
RocuHeEsTeErR: Eastman Kodak Company. 
San Francisco: Eastman Kodak Company, 
241 Battery Street. 
JACKSONVILLE, FLoripa: Ciné-Kodak Service, Inc., 
315 West 8th Street. 
Toronto: Canadian Kodak Co., Limited. 
Mexico City: Kodak Mexicana, Ltd., Independencia -37. 
CopENHAGEN: Kodak Aktieselskab, Ostergade 1. 
Geneva: Kodak Société Anonyme, 
Rue de la Confédération 11. 
GoTHENBURG: Hasselblads Fotogr. A. B. 
Lonvon: Kodak Limited, Kingsway, W. C. 2. 
Maprip: Kodak Sociedad Anénima, Puerta del Sol 4. 
Miran:KodakSocietaAnonima,CorsoVittorioKmanuele 34. 
Osto (Curist1aniA): J. L. Nerlien A. S., NedreSlotsgt. 13. 
Paris: Kodak Société Anonyme Francaise, 
Avenue Montaigne 39. 
BrusseE_s: Kodak Limited, Rue Neuve 88. 
Beruin: Kodak Ges. m. b. H. Markgrafenstrasse 76. 
Rome: Kodak Societa Anonima, Via Nazionale 25. 
Bomsay: Kodak Limited, Kodak House, Hornby Road. 
SinGApoRE: Kodak Limited, 3 Battery Road. 
Cairo: Kodak (Egypt) Société Anonyme, Opera Square. 
Cape Town: Kodak (South Africa) Limited, 
38 Adderley Street. 
RiopeE JANEIRO: Kodak Brasileira, Ltd., RuaSao Pedro 270. 
Buenos Arres: Kodak Argentina, Limited, Calle Paso 438. 
MeE.sourneE: Kodak Australasia Pty. Ltd., 284 Collins St. 


GETTY CENTER 


IDOL IL 


3125 000 


6 
g 6 f 99 
Incorporated 


POMONA, CALIF. 


